Friday, February 6, 2009

Char Bagh


Dividing a walled garden into equivalent quadrants is a natural geometric impulse, and the resulting four-square form appears in the garden history of most cultures.

The 'Char Bagh' (meaning, literally, 'four gardens'), though of Persian origins, has become most closely associated with the Mughal empire, an Islamic dynasty that ruled between 1526 and 1858 in territories now divided among Pakistan, Afghanistan, Kashmir, and northern India. The beautiful image above is a leaf from a Mughal manuscript now in the collection of the British Museum, c. 1590.

Most ancient gardens are metaphors for Paradise,and the Char Bagh is no exception, as perhaps best described in the mysterious volume of Sir John Mandeville's travels into the East, c. 1370:

"And this Paradise is enclosed all about with a wall...and in the most high place of Paradise, even in the middle place, is a well that casteth out the four floods that run by divers lands. Of the which, the first is clept Pison, or Ganges, that is all one; and it runneth throughout Ind or Emlak, in the which river be many precious stones, and much of lignum aloes and much gravel of gold. And that other river is clept Nilus or Gison, that goeth by Ethiopia and after by Egypt. And that other is clept Tigris, that runneth by Assyria and by Armenia the great. And that other is clept Euphrates, that runneth also by Media and Armenia and by Persia. And men there beyond say, that all the sweet waters of the world, above and beneath, take their beginning of the well of Paradise, and out of that well all waters come and go."

In an arid climate the ideal of heaven as a well-watered and verdant oasis was of special importance, and the quadrants of the Char Bagh are most often divided by canals (if large) or rills (if small) representing those four rivers of Paradise. The quadrants themselves are generally, but not always, symmetrical, and may be filled with loose, informal plantings that sometimes take on additional symbolic significance--cypresses for death, almond trees for life.

The ultimate example is perhaps the garden of the Taj Mahal, its quadrants centered upon the great mausoleum, resting the departed beloved in a vision of paradise. [drawing, c. 1750, from the collection of the Arthur M. Sackler gallery at the Smithsonian]



Mughal gardens have been the object of much scholarly research in recent years, being (arguably) the most active area of garden history research during the 1990s, and resulting in an excellent website on the subject at the Smithsonian.

4 comments:

Tatyana said...

Very interesting, and as for the Garden History - BRAVO! Thanks!

Molly Day said...

There are moments when I think of our personal garden as a paradise.

More often, though, visiting well designed and maintained public gardens are high points in a gardener's life.

It's interesting that quadrants have such a stabilizing, and yet artistic impact on design.

Thanks for the fascinating post.

Antigonum Cajan said...

Congratulations for a rare, serious,
technically and beyond the trivial,
subjective views some find along
the blogosphere.

I am very critical. With an intense dislike for the common place, pollution with gas/oil machines in gardens everywhere,
.

Would you be interested in researching the infatuation with
turf, lawns? Did it start in 1952,
with Levittown in Long Island and Pennsylvania, USA, or is it something more global?

I question the aesthetics,
cost per men/hour, pollution
of air/water/soil with gas/oil
residues, billions spent
on seed research at Rutgers U.
For what?
To get a green useless lush lawn?

arcady said...

Antigonum,
While I don't have a personal expertise in the history of the lawn, there have been several books published on the subject which you might find helpful; two worthy of note are

The Lawn: A History of an American Obsession, Virginia Scott Jenkins, Smithsonian Institution Press, Washington D.C., 1994

and


The American Lawn, Georges Teyssot, Princeton Architectural Press, 1999.

I might point out that most interventions in the landscape, can be criticized as being too 'costly' in some sense, and that this lies largely in the eye of the beholder.

Some see in the tradition of the American lawn an idealistic celebration of public open space.

As a historian, I seek not so much to pass judgment as to understand.

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